{"title":"Pop Culture","description":"","products":[{"product_id":"quarterly-essay-50-paperback","title":"Unfinished Business; QE50 by Anna Goldsworthy","description":"\u003cp\u003eOn the surface, it seems the best time ever to be a woman in Australia. The prime minister, governor-general and the richest person are all female; women are at the forefront of almost every area of public life. Yet when Julia Gillard’s misogyny speech ricocheted around the world, it clearly touched a nerve. Why?\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn the fiftieth Quarterly Essay, Anna Goldsworthy examines life for women after the gains made by feminism. From Facebook to \u003cem\u003e50 Shades of Grey\u003c\/em\u003e, from \u003cem\u003eGirls\u003c\/em\u003e to gonzo porn, what are young women being told about work and equality, about sex and their bodies? Why do many reject the feminist label? And why does pop culture wink at us with storylines featuring submissive women? \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUnfinished Business\u003c\/em\u003e is an original look at role models and available options in the age of social media and sexual frankness. Goldsworthy finds that progress for women has provoked a backlash from some men, who wield misogyny as a weapon, whether in parliament, on talkback radio or as internet trolls. With piercing insight and sharp humour, she lays bare the dilemmas of being female today and asks how women can truly become free subjects.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCorrespondence discussing Quarterly Essay 50, \u003cem\u003eUnfinished Business\u003c\/em\u003e:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul dir=\"ltr\"\u003e\r\n\t\u003cli\u003e\u003ca href=\"https:\/\/www.quarterlyessay.com.au\/correspondence\/correspondence-rebecca-huntley\"\u003eRebecca Huntley\u003c\/a\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003ca href=\"https:\/\/www.quarterlyessay.com.au\/correspondence\/correspondence-michaela-mcguire\"\u003eMichaela McGuire\u003c\/a\u003e\u003c\/li\u003e\r\n\t\u003cli\u003e\u003ca href=\"https:\/\/www.quarterlyessay.com.au\/correspondence\/correspondence-rachel-nolan-0\"\u003eRachel Nolan\u003c\/a\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\r\n\u003cul dir=\"ltr\"\u003e\r\n\u003c\/ul\u003e\r\n","brand":"QE","offers":[{"title":"Default Title","offer_id":39460767039623,"sku":"POD-9781863956024","price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/qe50_32fdce46-53ec-40d4-92b5-b74454fa812a.jpg?v=1625796688"},{"product_id":"one-way-or-another-the-story-of-a-girl-who-loved-rock-starstrade-paperback","title":"One Way or Another by Nikki McWatters","description":"\u003cp\u003eA VIVID, HEARTFELT TRIP INTO THE HUMAN SIDE OF ROCK 'N' ROLL . . . PAINFULLY HONEST AND INSIGHTFUL, THIS IS A PUBERTY BLUES FOR THE '80S GENERATION.'\u003cbr\u003e\nRichard Lowenstein, director of  Dogs in Space  and  He Died with a Felafel in His Hand\u003c\/p\u003e  \n\n \u003cp\u003eI looked down at this man who adorned the bedroom walls of girls all over the world. His eyes were spinning, his makeup was melting and he had the goofiest grin on his handsome face. This was what the Vulture Club was about. This was fun. This was as rock and roll as it got. I was bedding this rock god on behalf of every teenage girl who had ever imagined doing exactly this – and it felt fantastic.\u003c\/p\u003e \n\n \u003cp\u003eIn 1981, fifteen-year-old Nikki McWatters is living in a Gold Coast suburb, dragging herself through humdrum schooldays and dreaming of losing her virginity to a rock star. With three friends she starts the Vulture Club for aspiring groupies – and so begins a festival of sex, drugs and rock 'n' roll. By day Nikki is a dutiful student; by night she collects rock stars, crawling out her bedroom window and sneaking backstage to meet the band.\u003c\/p\u003e\n\n\u003cp\u003eAs Nikki gets older, her conquests get bigger and the stakes get higher. Soon she finds herself in Sydney, chasing an acting career and carousing with her idols. From Australian Crawl to INXS, Pseudo Echo to Duran Duran, she is living her teenage dream – but is the groupie life all it's cracked up to be?\u003c\/p\u003e\n\n \u003cp\u003eOne Way or Another  is a rollicking ride through a world of pub rock, big hair, wild nights and mornings after. With irrepressible humour and a bulging little black book, Nikki McWatters recalls an age when everything seemed possible – even if everything wasn't such a good idea.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619593371783,"sku":"9781863955560","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/9781921870583_FC.jpg?v=1636455063"},{"product_id":"the-song-remains-the-same-800-years-of-love-songs-laments-and-lullabiestrade-paperback","title":"The Song Remains the Same by Andrew Ford \u0026 Anni Heino","description":"\u003cp\u003eAn illuminating history of the song for every kind of music lover \u003cbr\u003e\n \u003cbr\u003e\nOften today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs.\u003cbr\u003e\n \u003cbr\u003e\nBut they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies.\u003cbr\u003e\n \u003cbr\u003e\n The Song Remains the Same  traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619599892615,"sku":"9781760640118","price":36.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover_98.jpg?v=1636516064"},{"product_id":"wordslut-1","title":"Wordslut by Amanda Montell","description":"\u003cb\u003eA brash, enlightening and wildly entertaining feminist look at gendered language and the way it shapes us.\u003c\/b\u003e\n\u003cbr\u003e\u003cbr\u003e\nEnglish is scattered with perfectly innocuous words that have devolved into insults hurled at women. The word “bitch” originally meant male or female genitalia. “Hussy” was simply a housewife, and “slut” was an untidy man or woman.\n\u003cbr\u003e\u003cbr\u003e\nFeminist linguist Amanda Montell explains why words matter and why it’s imperative that women embrace their unique relationship with language. Drawing on fascinating research, and moving between history and pop culture, Montell deconstructs language – from insults and cursing to grammar and pronunciation – to expose the ways it has been used for centuries to gaslight women. Montell’s irresistible intelligence and humour make linguistics not only approachable but downright enthralling.\n\u003cbr\u003e\u003cbr\u003e\n\u003ci\u003eWordslut\u003c\/i\u003e gets to the heart of our language, sheds light on the biases that shadow women in our culture and shows how to embrace language to verbally smash the patriarchy.\n\u003cbr\u003e\u003cbr\u003e\n‘An academic’s rigour meets a columnist’s wit, \u003ci\u003eWordslut\u003c\/i\u003e is a romp of an introduction to sociolinguistics. This book will have you seething with feminist rage at the way words have been used against women for centuries, but it also gives you the tools to take them back then next time you’re at a dinner party or a political podium. Montell leads the charge for feminist reclamation and declaration.’ —Bri Lee\n\u003cbr\u003e\u003cbr\u003e\n‘I get so jazzed about the future of feminism knowing that Montell’s brilliance is rising up and about to explode worldwide.’ —Jill Soloway\n\u003cbr\u003e\u003cbr\u003e\n‘Montell sets a high bar … Just the kind of sharp, relevant scholarship needed to continue to inspire the next generation of feminist thought.’ —\u003ci\u003eKirkus\u003c\/i\u003e\n\u003cbr\u003e\u003cbr\u003e\n‘Blends academic study with pop-culture attitude … At its heart, this work reflects a tenet of sociolinguistic study: language is not divorced from culture; it both reflects and creates beliefs about identity and power.’ —\u003ci\u003eLibrary Journal\u003c\/i\u003e\n\u003cbr\u003e\u003cbr\u003e\n‘An astute and witty dissection of the relationship between feminism and linguistics.'––Emma Harvey, \u003ci\u003eGood Reading\u003c\/i\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39629415022727,"sku":"9781760640958","price":36.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover_2_d3a34225-6ab5-4cdc-bfb6-a631ac54dd83.jpg?v=1636503157"}],"url":"https:\/\/shop.schwartzbooks.com.au\/collections\/pop-culture.oembed","provider":"Schwartz Books","version":"1.0","type":"link"}