{"title":"Cultural Criticism and Analysis","description":"","products":[{"product_id":"how-to-do-nothing-resisting-the-attention-economypaperback","title":"How To Do Nothing by Jenny Odell","description":"\u003cp\u003eA galvanising critique of the forces vying for our attention – and our personal information – that redefines what we view as productivity and reveals what we’ve been too distracted to see about ourselves and our world. \u003cbr\u003e\n \u003cbr\u003e\nNothing is harder to do these days than nothing. But in a world where our value is determined by our data productivity, doing nothing may be our most important form of resistance.\u003c\/p\u003e \n\n\u003cp\u003eSo argues artist and critic Jenny Odell in this field guide to slowing down. Odell sees our attention as the most precious – and overdrawn – resource we have. Once we start paying a new kind of attention, we can undertake bolder forms of political action, reimagine humanity’s role in the environment, and arrive at a more meaningful understanding of happiness and fulfilment.\u003c\/p\u003e \n\n\u003cp\u003eFar from a simple anti-technology screed,  How to Do Nothing  is an action plan for thinking beyond capitalist narratives of efficiency and value. Provocative, timely, and utterly persuasive, it shows us how to preserve our inner lives and bring about change in a world that needs this more than ever.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619589800071,"sku":"9781760641795","price":32.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/How_20to_20Do_20Nothing_20_28online_29_0.jpg?v=1636455363"},{"product_id":"illegal-harmonies-music-in-the-modern-agetrade-paperback","title":"Illegal Harmonies by Andrew Ford","description":"\u003cp\u003eListen, What Do You Hear? \u003cbr\u003e\n We are surrounded by sounds all the time, but we tend not to hear them; our brains are very good at editing what our ears pick up. If we stop for a moment to listen, there they are: the ticking clock, traffic noise, fragments of conversation, a passing plane. These are examples of what the American composer John Cage called 'illegal harmony'. \u003cbr\u003e\n In response to the noisiest century in history, modern composers have consistently flown in the face of musical orthodoxy. As technology has changed at an unprecedented rate, so have musical styles – sometimes to the dismay of audiences and critics. \u003cbr\u003e\n In  Illegal Harmonies , Andrew Ford charts the course of music in the concert hall and opera house over the last hundred years, linking it to developments in literature, theatre, cinema and the visual arts, and to popular music from Irving Berlin to the Beatles to rap. The result is a stimulating, provocative and informative cultural history. This revised third edition includes a new preface and extended epilogue, bringing the story into the twenty-first century. \u003cbr\u003e\n 'Modern audiences need to learn how to listen and Andrew Ford might be just the man to do the teaching.'    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Zhuang Zi\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619598221447,"sku":"9781863955850","price":36.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover_5_e7c9eda2-090d-4d54-9088-93d870187915.jpg?v=1636529361"},{"product_id":"preorder-donald-horne","title":"Donald Horne by Ryan Cropp","description":"\u003cdiv class=\"form-group col-lg-12 col-md-12 paddeql nomargin\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"form-group col-lg-12 col-md-12 paddeql nomargin\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eIn the 1960s, Donald Horne offered Australians a compelling reinterpretation of the Menzies years as a period of social and political inertia and mediocrity. His book \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Lucky Country\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e was profoundly influential and, without doubt, one of the most significant shots ever fired in Australia’s endless culture war.\u003c\/span\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eRyan Cropp’s landmark biography positions Horne as an antipodean Orwell, a lively, independent and distinct literary voice ‘searching for the temper of the people, accepting it, and moving on from there’. 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In Marr's hands, those things we call reportage and commentary are elevated to artful and illuminating chronicles of our time.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ci\u003eMy Country\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecollects his powerful reflections on religion, sex, censorship and the law; striking accounts of leaders, moralists and scandalmongers; elegant ruminations on the arts and the lives of artists. 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