{"title":"Art","description":"","products":[{"product_id":"a-communion-of-stranger-gestureshardback","title":"A Communion of Stranger Gestures by Angelica Mesiti","description":"\u003cp\u003eAngelica Mesiti: A Communion of Stranger Gestures  is the first significant publication dedicated to chronicling the practice of one of Australia’s leading contemporary artists. The 224-page, full colour book has been designed by Formist to reflect the elegance and beauty of Mesiti’s approach, with a subtle aesthetic nod to the ideas around communication and transmission that she often explores.\u003cbr\u003e\n \u003cbr\u003e\nTwo major new texts have been commissioned to expand the field of writing around Mesiti’s body of work, from leading Australian academic and writer Justin Clemens, and Director of Lafayette Anticipations, Paris, François Quintin.  A Communion of Stranger Gestures  also includes an in-depth artist interview with Artspace Executive Director Alexie Glass-Kantor and Curator Talia Linz, along with nine original short texts on new and existing works over the last ten years.  \u003cbr\u003e\n \u003cbr\u003e\nThe publication ties in with Mesiti’s first solo institutional presentation,  Relay League , which was commissioned by Artspace earlier this year, curated by Glass-Kantor and Deputy Director Michelle Newton. The work takes as its departure point a Morse code message transmitted by the French Navy on 31 January 1997 to signal the imminent demise of this communication method. Mesiti interprets the dots and dashes of this final poetic phrase through music, choreography, non-verbal communication and sculpture.  A Communion of Stranger Gestures  features extensive imagery from the development and presentation of this exciting new work, which is touring to Art Sonje Center, Seoul, in addition to nine venues across Australia including Griffith University Art Gallery, Brisbane, and Ian Potter Museum of Art, Melbourne. \u003cbr\u003e\n \u003cbr\u003e\nRecently shortlisted for the 9th edition of the prestigious Prix Meurice for contemporary art and with a residency at the Centre National de la Danse in Paris, Mesiti is increasingly establishing her reputation as one of Australia’s most outstanding artists. Working with the mediums of video and installation, and incorporating music and performance, her practice expands ideas of collective behaviour, social dynamics and human subjectivity through non-verbal forms of language and communication, exchange and adapted methods of expression.\u003cbr\u003e\n \u003cbr\u003e\nMesiti has exhibited extensively at institutions and biennales worldwide, including the 19th Biennale of Sydney, 2014; 13th Istanbul Biennial, 2nd Aichi Triennale, 5th Auckland Triennial and 11th Sharjah Biennale, 2013; and 1st Kochi-Mizuris Biennale, 2012; as well as at the Palais de Tokyo and Centre Pompidou, Paris; Barbican Centre, London; Jewish Museum, New York; Kunstmuseum, Bonn; Haus der Kulturen der Welt, Berlin; Museo Reina Sofía, Madrid; Tate Modern, London; Tokyo Metropolitan Museum of Photography; and Para Site, Hong Kong.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619585343623,"sku":"Schwartz City-9781760640149","price":59.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover_1.jpg?v=1636354770"},{"product_id":"focus-and-fieldhardback","title":"Focus and Field by Daniel von Sturmer","description":"\u003cp\u003eFocus \u0026amp; Field  documents Daniel von Sturmer's show at Young Projects Gallery, Los Angeles, 2014. The show comprises a solo survey of recent works (2008 – 2013) accompanied by a new 9-screen video installation,  Camera Ready Actions . The book features 'Notes from the Field', an essay by Tara McDowell, former curator of SFMoMA and the CCA Wattis Institute.\u003cbr\u003e\n Using video, photography, installation and architectural interventions, von Sturmer's work draws on more traditional mediums of painting and sculpture, making direct – and often humorous – references to still life, modernism \u0026amp; minimalism.\u003cbr\u003e\n Drawing connections between psychology and philosophy, von Sturmer interrogates the modes of perception at play when a viewer encounters an artwork, and how they are influenced by presentation and context.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619588489351,"sku":"Schwartz City-9781863957151","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/Focus_20_26_20Field_Daniel_20von_20Sturmer_front_20cover.jpg?v=1636455487"},{"product_id":"lets-destroy-workhardback","title":"Let's Destroy Work by Marco Fusinato","description":"\u003cp\u003eOn the eve of  All the World's Futures  at the 2015 Venice Biennale, Schwartz City is pleased to announce the publication of  Let's Destroy Work , the first major monograph on Marco Fusinato. A comprehensive overview of the past two decades of Fusinato's projects in art and music, featured projects include  FREE  (1998–2004), a series of guerrilla performances in unsuspecting music stores around the world;  Mass Black Implosion  (2007–), an ongoing series of propositional scores;  Aetheric Plexus  (2009–2013), a viewer-triggered installation of white noise and white light; and  TM\/MF  (2000), a collaborative project with Thurston Moore. \u003cbr\u003e\n Included is new writing by Branden W. Joseph, Professor in Art History at Columbia University; a text by US-based music critic Byron Coley; and essays from insurrectional anarchist writer Alfredo M. Bonanno's publication 'Let's Destroy Work, Let's Destroy the Economy'. The book is rich in colour and mono illustrations of Fusinato's works, and a selection of reference images.\u003cbr\u003e\n Marco Fusinato's practice references the rhetoric of radical politics (its ambitions and failures), noise as music and the conditions and conventions of conceptual art. Through wide-ranging forms of work in gallery contexts and performances, he foregrounds moments of disruption and impact in which lie the possibility of a shift in perception or change in the course of events. Fusinato performs regularly in the international experimental music underground, obliterating the guitar into improvised noise-spit tsunamis.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619590946951,"sku":"Schwartz City-9781863956888","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/LET_27S-DESTROY-WORK_COVER.jpg?v=1636455261"},{"product_id":"maddestmaximvs-planet-stars-sequencehardback","title":"MADDESTMAXIMVS by Sean Gladwell","description":"\u003cp\u003ePublished on the occasion of the 2009 Venice Biennale,  MADDESTMAXIMVS - PLANET \u0026amp; STARS SEQUENCE  is a project book a and catalogue, documenting a new major body of work by Shaun Gladwell.\u003cbr\u003e\n The publication maps the project in its entirety. Commencing in 2007, MADDESTMAXIMVS has continued with a series of recorded performances and sculptures that investigate representations of landscape and the mythological figures that are projected into these spaces. The installation in the Australian Pavilion in Venice will consist of several projects that intersect each other through various locations and performances.\u003cbr\u003e\n Rather than picturing landscapes, Gladwell's project questions the very history and representation of these locations. Introduced with local references, the project offers international identification and relevance. Through performance, Gladwell re-imagines the Australian hinterland, negotiating the conventions of art history and traditional landscape painting. This meditative investigation articulates Gladwell's discursive approach to contemporary art and structures the project as a free, contemplative space.\u003cbr\u003e\n Roadkill kangaroos are found on the side of highways by a black leather clad motorcyclist and given a ritualistic burial, a figure surfs a vehicle as it moves through desert roads, a masked individual rapidly paints and subsequently erases images of the\/a universe in open arid settings, and a group of figures spin against natural rock formations.\u003cbr\u003e\n With over one hundred colour plates and two in-depth texts - by Carolyn Christov-Bakargiev and Dr Blair French -  MADDESTMAXIMVS - PLANET \u0026amp; STARS SEQUENCE  is the first comprehensive publication of Shaun Gladwell's multi-dimensional practice.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619591274631,"sku":"Schwartz City-9781863954419","price":59.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/Maddestmaximus_20cover.jpg?v=1636455230"},{"product_id":"memeshardback","title":"Memes by Antony Gormley","description":"\u003cp\u003eThis tiny book reflects the scale of a new series of sculptures by world renowned artist Antony Gormley.\u003cbr\u003e\n Gormley's 'Memes' assume 33 different postures, each signifying a psychoanalytic state or position and invite a new engagement with the human form. A remarkable new contribution to the field of contemporary sculpture.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619591405703,"sku":"Schwartz City-9781863955362","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/Memes.jpg?v=1636455218"},{"product_id":"monument-for-the-flooding-of-royal-parkpaperback","title":"Monument for the Flooding of Royal Park by Tom Nicholson","description":"\u003cp\u003eMonument for the flooding of Royal Park  is the elaboration of the video work of the same title into the form of a book. This video work evolved through a Creative Fellowship at the State Library of Victoria and was exhibited at Federation Square in the Melbourne Prize for Urban Sculpture in November 2008, in which it was awarded the second prize (see www.tomn.net\/projects\/2008_03.htm). The book  Monument for the flooding of Royal Park  comprises sequences of historical photographs of various Burke and Wills monuments in parallel to a text which describes the imaginary monument - a temporary blanketing of Royal Park in a red field of nardoo - which is the proposition of the book.\u003cbr\u003e\n Monument for the flooding of Royal Park has evolved as part of a body of work engaging 19th-century Melbourne histories, and specifically the 'leakage' of these histories into the present. It takes as its narrative subject an encounter between Aboriginal and non-Aboriginal figures, in this case around nardoo and its use as food. The work is a meditation on this encounter, its fatality, but also on its more hopeful possibilities. In both works, historical memory is an imaginary presence in the city's life, but also figured as yet-to-come.\u003cbr\u003e\n Monument for the flooding of Royal Park is also a meditation on the nature of monuments. The work's formal character - concentrating meaning in the invisible, fleeting appearance, dispersal across a horizontal plane, and the compactness and portability of the book - sets itself against the permanence, weight, and unequivocal declaration of the 19th-century monument. However, the work also follows its 19th-century models. Its implicit subject draws upon history as parable, not one of heroic inspiration, but rather interrogative ambivalence: how might our society, built on colonial occupation, inhabit this place in a new and sustainable way?\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619591635079,"sku":"Schwartz City-9781863954426","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/Monument_20cover.jpg?v=1636455193"},{"product_id":"performances-1971-2008hardback","title":"Performances: 1971-2008 by Mike Parr","description":"\u003cp\u003eMike Parr is Australia's most significant performance artist. His contribution to the development and establishment of performance art in Australia remains continuous and resolute. Parr's dedication and research into the boundaries of performance art within the parameters of art history and theory are unprecedented. At the forefront of performance art in Australia in 1970, Parr explored areas far removed from mainstream visual culture at the time. Despite the contempt, he persevered, remaining true to his practice. \u003cbr\u003e\nThis long awaited book pays homage to Parr's achievements and is an essential admission into Australia's cultural memory. Compiled by the artist, this first hand account includes an extraordinary array of photographic documentation together with performance scripts and the artist's writings on his work, encapsulating the qualities that have made Mike Parr one of Australia's greatest cultural assets on the world stage.  \u003cbr\u003e\nParr has performed in Switzerland, France, Austria, Italy, USA, Japan, The Philippines, Sweden and throughout Australia since 1973.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619593797767,"sku":"Schwartz City-9781863952552","price":59.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/mike_20parr_20final_20cover.jpg?v=1636455014"},{"product_id":"poster-boytrade-paperback","title":"Poster Boy by Peter Drew","description":"\u003cp\u003eWhen you’re sneaking around the city at night you feel like a kid again. The seriousness of the world is unmasked as a series of facades, dead objects just waiting to be painted. I was immediately hooked. Out on the street I could say anything I wanted. So what did I want to say?’\u003c\/p\u003e\n\n\u003cp\u003ePeter Drew’s posters are a familiar sight across Australia – his ‘Real Australians Say Welcome’ and ‘Aussie’ campaigns took on lives of their own, attaining cult status and starting conversations all over the country. But who made them, and why?\u003c\/p\u003e  \n\n\u003cp\u003eIn this irresistible and unexpected memoir, Peter Drew searches for the answers to these questions. He traces the links between his creative and personal lives, and discovers surprising parallels between Australia’s dark, unacknowledged past and the unspoken conflict at the core of his own family.\u003cbr\u003e\n \u003cbr\u003e\nPacked full of Peter Drew’s memorable images, Poster Boy is an intelligent, funny and brutally honest dive into the stew of individual, family and national identity. It’s about politics and art, and why we need them both. And it’s about making a mark.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619593994375,"sku":"9781760641337","price":34.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/Poster_20Boy_20_28online_29.jpg?v=1636454993"},{"product_id":"stereo-sequencespaperback","title":"Stereo Sequences by Shaun Gladwell","description":"\u003cp\u003eShaun Gladwell: Stereo Sequences has been conceived and created for ACMI's unique subterranean gallery and features a series of multi-screen video works that explore concepts of duality, parallels and mirroring.\u003cbr\u003e\nUsing filmic devices such as long pans and slow-motion, Gladwell captures tightly choreographed, repetitive performances by classical ballerinas, helicopters, motorcycles, muscle cars, trials bike-riders and skateboarders. Gladwell's latest offerings radiate a distinct Australian sensibility, inspired by the unique landscape and local film culture, including Ozploitation era films.\u003cbr\u003e\nMany of the works are set in distinct Australian locations such as the Wollemi National Park, the open plains of Broken Hill and even Sydney's M5 underpass, each landscape a central character in the resulting work.\u003cbr\u003e\nACMI Director, Mr Tony Sweeney, said today the centres largest single commission by an Australian artist, reflected Gladwell's growing international reputation.\u003cbr\u003e\n'Shaun Gladwell has an enviable international reputation as one of Australia's leading video artists and we are thrilled to be working with him on the creation of what is a stunning series of works,' he said. 'This significant new commission reflects our strong commitment to supporting Australian artists, both established and emerging, and the ongoing development of contemporary moving image art practice in this country.'\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619595763847,"sku":"Schwartz City-9780646530017","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover-2021-11-10T213411.102.jpg?v=1636540460"},{"product_id":"the-infinity-machine-mike-parrs-performance-art-1971-2005paperback","title":"The Infinity Machine by Edward Scheer","description":"\u003cp\u003eMike Parr is Australia's most significant performance artist. His contribution to the development and establishment of performance art in Australia remains continuous and resolute. Parr's dedication and research into the boundaries of performance art within the parameters of art history and theory are unprecedented.\u003cbr\u003e\n At the forefront of performance art in Australia in 1970, Parr explored areas far removed from mainstream visual culture at the time. Despite the contempt, he persevered, remaining true to his practice. This long awaited book pays homage to Parr's achievements and is an essential admission into Australia's cultural memory. Compiled by the artist, this first hand account includes an extraordinary array of photographic documentation together with performance scripts and the artist's writings on his work, encapsulating the qualities that have made Mike Parr one of Australia's greatest cultural assets on the world stage.\u003cbr\u003e\n Parr has performed in Switzerland, France, Austria, Italy, USA, Japan, The Philippines, Sweden and throughout Australia since 1973.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39619598483591,"sku":"Schwartz City-9781863954273","price":49.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover-2021-11-10T151718.646.jpg?v=1636517871"},{"product_id":"so-far-the-art-of-dale-frank-1980-2005","title":"So Far: The Art of Dale Frank 1980–2005","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSo Far: The Art of Dale Frank 1980–2005 \u003c\/em\u003etraces a trajectory in the work of world–renowned Australian artist Dale Frank. The book considers his early performances of the 1970s and early 1980s and the themes that emerged from the mid-1990s onward, culminating with a discussion of his most recent paintings. This extraordinarily beautiful book includes over 430 full-page plates and photographs spanning from the iconic varnish paintings and monochromes to large-scale drawings, Pop assemblages, installations, and performance works, giving a sense of Frank’s varied and dynamic practice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSo Far \u003c\/em\u003eis a magnificent career retrospective monograph, notable for its high production values and the new light it sheds on a major Australian artist.\u003c\/p\u003e","brand":"Black Inc.","offers":[{"title":"Default Title","offer_id":39629313474695,"sku":"Schwartz City-9781863953665","price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/products\/cover_25.jpg?v=1636503959"},{"product_id":"turbulence-and-transcendence-by-brook-turner","title":"Turbulence and Transcendence by Brook Turner","description":"\u003cp\u003e\u003cstrong\u003eA vivid history of the Biennale of Sydney’s first half-century in a sumptuous, limited-edition volume with new insights, interviews and commentary.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘This is the story of how an Italian immigrant arrived in a country seen by many of his peers as a wasteland and seized on an idea entirely of its time to help erase the distance between Australia and the world, the past and the future. And of how, from the very start, that idea proved so necessary, and inconvenient, that someone was usually trying to stop it or take it over, change its nature or its purpose.’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen the Biennale of Sydney was founded in 1973, it was one of only three such events in the world. It is now the longest-running biennale in the Asia-Pacific region, attracting over 600,000 visitors to each edition. \u003c\/p\u003e\n\u003cp\u003eThis history of its first fifty years chronicles the Biennale’s vision and ambition, stumbles and triumphs. It tells the story of half a century of ground-breaking art, and of the city that shaped – and has been shaped – by it.\u003c\/p\u003e\n\u003cp\u003eWritten by journalist Brook Turner, Turbulence and Transcendence features interviews with key players and new insights.\u003c\/p\u003e\n\u003cp\u003eAt over 400 pages, elegantly bound in Italian cloth and printed on premium paper in Italy, this is a limited edition of 500.\u003cbr\u003e\u003c\/p\u003e","brand":"Schwartz Books","offers":[{"title":"Default Title","offer_id":42255566798983,"sku":"9781760643263","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0313\/7211\/6103\/files\/TurbulenceandTranscendence_online.jpg?v=1736727783"}],"url":"https:\/\/shop.schwartzbooks.com.au\/collections\/art.oembed","provider":"Schwartz Books","version":"1.0","type":"link"}